Showing posts with label sci-fi. Show all posts
Showing posts with label sci-fi. Show all posts

Friday, 2 January 2015

The Not So Secret Origins of The Snot That Ate Port Harry

     Prior to the blast of posts just prior to Christmas I was pretty bad about keeping this blog up to date.  But to those of you paying attention to my other outlets you may have noticed that I'm working on a new animated movie.  Here's the poster...


     So just where the hell did such a stupid idea for a movie come from?  Snot?  Really?  Well I'll tell you.  The idea started just with a title.  Which was said as a joke.  And to hear that joke for the first time you'd have to go back to somewhere in the vicinity of the late 1980's or early 1990's to a much younger version of me.


     I grew up on movie dinners.  When my parents got a VCR a few years before I was born my dad would pretty much record every movie that came on TV.  We even had a video store that was only a five minute walk from the house, which lead to more movies to watch, more movies to record, and our library was growing all the time.  Videos, by the way kids, are black plastic rectangles that show motion pictures...VCR's are big clunky machines that play them.  Growing up I could also count on at least a couple movie dinners a week, a dinner that would be eaten on the couch, off the coffee table in front of a movie.  We watched all the stuff any kid born in 1984 would watch, Goonies, Gremlins, Indiana Jones, Back to the Future, Star Wars of course, the Christopher Reeves Superman, the Michael Keaton Batman.  And I may have watched Terminator and Robocop a little earlier than most kids would.  The guy that fell in the toxic waste?  He freaked me out.  But it wasn't just those movies.  I was introduced to Peter Sellers with the Pink Panther and the Party.  Abbott and Costello when they met Frankenstein and everybody else.  We watched Airplane, Vacation, Blazing Saddles, King Kong-the original one, Arsenic and Old Lace, Harvey, Topper, and any Ray Harryhausen movie that was on TV.  These were the gateway drugs that lead me to become a movie buff, and then eventually, clinically movie obsessed.  

     As a kid I learned pretty fast what meals would signal a night in front of a movie.  Pizza and tacos were the most common, sometimes their half bred cousin, Mexican pizza.  That's a tortilla lying flat with taco meat and cheese on top for those of you keeping score.  There were other movie meals too, and depending on the time of year a burger usually meant a movie as well.  Did I mention we watched a lot of movies?  So when I would notice one of said meals being prepared...or ordered...the question would invariable leave my mouth, "what movie are we watching?"  And the answer, on more than several occasions, would leave my dad's, "The Snot That Ate Port Moody."  

     The vision of what surely would have to be a giant wad of snot devouring a town was pretty funny to single digit aged me, and that imagery combined with the sheer frequency of the joke stuck to my brain like glue.  Years later, in 9th grade I even remember drawing a would be movie poster in my sketchbook for "The Snot that Ate Port Moody."  A drawing that I never actually finished cuz it wasn't living up the vision in my head(shoddy composition, questionable perspective).  



     Flash forward a bunch more years to 2008 when I'm working on an animated movie called, "The Case of the Midnight Murderer."  Midnight Murderer was a short story I had written years prior and on a whim I turned it into a script, which then snowballed into character designs and eventually a finished movie.  I was in the early stages of that project, a love letter to film-noir movies of the 40's when "The Snot That Ate Port Moody" came to mind again, only this time with a little better context.  As ridiculous of a title as "The Snot That Ate Port Moody" is, it would not have seemed so out of place in a drive-in back in the sci-fi monster craze that spilled out of the 1950's.  If I can do a 40's detective parody loaded with in jokes and references to old mystery movies than maybe "The Snot That Ate Port Harry" (I changed the name to a fictional town) could be done as a 50's B-movie parody.  I started writing notes and doodling sketches but my attention was still on Midnight Murderer.  I wasn't committed at the time to necessarily see Snot through to the end but when I saw the finished version of Midnight Murderer that kinda changed.  I have a hard time watching Midnight Murderer, my first feature length movie, without picking it apart.  There's nothing in it, not a stage of production that I wouldn't do at least a little bit differently on a second run.  My cavalier attitude during the development stages of that movie, to me, stand out.  In spite of all that though, I don't hate what I accomplished.  And with all that I learned making that movie, it seemed like a waste not to make another one.  So I'm chipping away now at "The Snot That Ate Port Harry."  A movie that started as nothing but a title, which started as nothing but a joke.

     Animation hasn't started on the movie yet but it'll happen soon.  For regular updates on the movie's progress, including work in progress pictures, concept art, behind the scenes videos and other cool stuff follow the movie on FACEBOOK, TUMBLR, and what the hell, might as well follow me on TWITTER too!

Sunday, 16 March 2014

Jungle Space Girl

Still been a little slack about posting here, but I'm still trying to get better at that.

Here's Jungle Space Girl!


I love looking at comic art.  Especially since I got an ipad a couple years ago.  I'll sit on the couch, Google an artist I like or just heard about for the first time and flip through their work.  I also love looking at old sci-fi, horror, and crime comic art.  The covers for those old comics are particularly cool.  And pulp novel covers too.  Recurring themes you'll find in those old comics and novels is the Space Girl with the dome helmet or the Jungle Girl in an animal skin bikini.  I thought it'd be fun to do a mash up of the two, so I drew this on the bus.

Then I drew it bigger, better, cleaner and coloured it.


If you like this I've actually got a store at Society 6 now where you can buy prints of it and some of my other stuff.  You can get t-shirts and hoodies, mugs, clocks, iphone cases and even pillows.  Check it out here if you're interested.

Wednesday, 1 January 2014

Happy New Year

Another 12 months.  Another 52 weeks.  Another 365 days.  Another year.  Happy 2014 everybody.  I've been really, really, really, really, really...sorry had to take a breath...really, really, really, really bad about updating my blog these last few months, if not the whole year.  I have been drawing though!  I promise that much.

I've been keeping pretty busy.  Did a few animated commissions for a webseries called Beverly Hoodz, check them out here if you want.  I'm tapped to animate a few more from that series too, so keep your eyes open for that.

I'm also teaching more at Vancouver Film School.  I'd already been teaching two levels of Flash for about a year and a half but in July I took on some more classes.  Now I also teach Classical Animation, Storyboarding and Comic Book Production.  That's been a lot of fun and you'd be amazed how much I love putting together power point presentations for lectures and gathering film clips for examples.  I'm a movie/cartoon/comic nerd after all.   In addition to all that my free time has been largely eaten up by my graphic novel.  Did I mention I'm doing a graphic novel?  Oh ya, I'm doing a graphic novel.  Check out some in progress shots of it on my Facebook page, here.  While you're at it, like my Facebook page too if you haven't already.  And hey, if you're on Twitter follow me there too, I post in progress pictures there quite often.  The graphic novel is almost done now but it took a lot longer than anticipated.  Started it in June and thought I'd be finished, colour and all, by the fall.  That turned out to be a pipe dream.  I was using how fast I draw Cowman comics as my guideline to estimate my timing but the truth is this novel gets a lot more elaborate in a lot of ways and I can't pump the pages out as fast as Cowman.  I'm not sure yet if I'll be getting a real publisher or if I'll be putting it out in some form myself but the story is semi-seasonal so it'll be a while before it's made available no matter how I go about it.  I will put out some official finished images to wet your whistle when it's all done though.
Hmm...what's next?  Here're some random drawings from the last few months.
Drew this after watching Mel Brooks get a Life Time Achievement Award.

Drew this on the bus, just cuz...

Another bus drawing.

Didn't draw this on the bus cuz I didn't have enough time left that day.  But I did see this woman while I was on the bus, picture her bobbing up and down to the music on her boom box.
Doing more random drawings is my only real New Years resolution.  It might not be an easy one cuz I am planning on diving into another ambitious project this year but I'll definitely be making an effort.  Speaking of ambitious projects.  Remember Pork Cops?  I posted about it a while back.  I finished it earlier in 2013 but set it aside so I could come back with fresh eyes and recut it to make it move a little faster.  Also might've made some changes to the sound mix cuz there are one or two questionable sound effects.  Long story short my computer died and I lost all my original working files so I couldn't edit it like I wanted.  So instead I just posted it as is on youtube.  In hindsight I'm actually still pretty happy with it but I definitely would've made some adjustments given the opportunity.  Check it out here!  Right here.  Now at this very spot!


One last thing.  Cowman is still going with new comics every Tuesday and Thursday.  In fact I just finished an epic story arc called "The Foolery Saga."  Here's the promo.


Cowman is now also on Tumblr too.  I'm playing catch up over there now so I'm posting daily until it catches up to it's current run and then it'll update Tuesdays and Thursdays just like Blogger.  I took a hiatus though for the holidays so I'll start posting daily again on January 6th with Cowman #187.  You astute individuals may notice that that is the first Cowman listed on the above promo for the Foolery Saga.  In other words if you want to check that out then heading on over to Cowman's Tumblr page and subscribing might be a damn good idea.  Or if not go to his Blogger page and get caught up there.

So that's it for me for now, and didn't even really cover everything.  I'll try to update more often again so I don't have to write a novel for my next update just to cover it all.  Later guys.

Sunday, 21 October 2012

Mary Shelly's Frankenstein

For years I've said I wanted to read Mary Shelly's Frankenstein.  As a kid Frank was my favourite of the classic movie monsters...I went as him for Halloween once or twice.  The whole idea behind the crazy doctor and his monster is cool and creepy...and the fact that it was written by a nineteen year old in the nineteenth century just made the book more intriguing.  I finally got around to reading it this month.  I always knew the original Universal Pictures version of the story differed from the novel but I was still pretty surprised at just how different.  Even the movie entitled "Mary Shelly's Frankenstein" as I recall has a lot of changes in it although it's definitely closer than the Karloff version.  The book moves pretty slow actually and tends to wander on tangents that aren't always necessary.  I thought it bounced back and forth between painfully dull and genuinely freaky.  Shelly's descriptions of the monster are quite vivid and that's maybe what I was most surprised by when I read the book.  I don't think Frankenstein's monster has ever been depicted on film they way he's described in the book.  I drew this while I was reading it...
Here's how Shelly herself describes the wretch.  "His yellow skin scarcely covered the work of muscles and arteries beneath: his hair was of a lustrous black, and flowing: his teeth of a pearly whiteness; but these luxuriences only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set, his shriveled complexion and straight black lips."

I figured if his skin was translucent from being stretched so thin then it would have been difficult to keep the ends together when sewing.  So I made sure to show some exposed meat beneath the skin at the seams where the stitches are barely holding him together.  It was a myth for years and years that your hair and finger/toe nails continued to grow after you died and I wondered if that's where Mary Shelly's idea for his flowing black hair stemmed from so I gave him long claw like finger nails.  I also skewed some of his parts so  he wasn't quite put together right, which is why his abs kinda stick to the one side.  I also cut a hole over his heart and then stitched it back up cuz I figured a delicate organ like that might've required frequent reaccess while he was being built.  And I reasoned that he might not have a lot of cartilage left in him either which is why I pulled his nose back like a skull.  This isn't a bad drawing but I think if I were designing him to appear in a movie or something I'd take a couple more passes.  I'd probably experiment with the stitching a bit, maybe see how it would look if it were more excessive and I'd definitely play more with his posture.

Of course...there's still a lot to be said for the classic...

Tuesday, 11 September 2012

Commission With a Side of Awesome Sauce

You may recall a couple months ago I posted a commissioned drawing of a guy, a girl and a couple of cats going up against an army of zombies.  If you don't, check it out here, and try to keep up.  Well anyway, that drawing was commissioned by the guy in the drawing as a gift for the girl in the drawing.  Make sense?  Hopefully, cuz here we go again.  The girl in the drawing then recently commissioned me to draw a new drawing as a gift for the guy in the drawing.  I feel like I could've explained that more concisely but I'm happy with how it turned out none the less.  Anyway, here's that new drawing now, I'm quite happy with the way it turned out and thankfully so were they.  Kim described it as 100% awesome sauce.
Now I know what you're thinking, "jeeze Dylan, isn't it kinda crass to plaster your company name and logo all over that poster?"  Well it would be, but those are just watermarks and I assure you they were not included in the version I handed over to them. 
I was given pretty clear instructions for the first poster.  Caillin really knew what he wanted, right down to the basic composition.  For this new one though I was given pretty much free reign to come up with something.  Kim gave me a run down of things she'd like to try and convey with the poster...I took that and we decided to keep with the same theme as the first poster so the two of them could work as companion pieces.  I came up with this, somewhat based on the poster from the original Conan The Barbarian poster.  I googled that though and it turned out I really wasn't remembering that poster correctly at all, so this may or may not look much at all like Conan, save for the raised arm.
Here're the stages of the drawing.  I draw it out in blue so once I ink it I can scan it without picking up my construction lines.  I used to have to erase all that stuff when I was done drawing...it burns the hell out of your arm and covers the desk and floor with eraser turds and who wants that, right?  It was another fun gig.  I'd like to do more of this kinda stuff.